Orchha
On a seasonal island on the bank of the Betwa River, which has been surrounded by a battlement wall, stands a huge palace-fort. The fort consists of several connected buildings erected at different times, the most noteworthy of which are the Rajmandir and the Jahangir Mahal.
The Rajmandir is built on a square base and has an almost entirely plain exterior, relieved by projecting windows and a line of delicate domes along the summit. The Jahangir Mahal is built on a rectangular base and is relieved by a circular tower at each corner surmounted by a dome, while two lines of graceful balconies supported on brackets mark the central storeys. The roof is crowned by eight large fluted domes, with smaller domes between them, connected by an ornamental balustrade. The Jahangir Mahal is considered to be a singularly beautiful specimen of domestic Hindu architecture.
Orchha's grandeur has been captured in stone, frozen in time, a rich legacy to the ages. In this medieval city, the hand of time has rested lightly and the palaces and temples built by its Bundela rulers in the 16th and 17th centuries retain much of their pristine perfection.
Orchha was founded in the 16th century by the Bundela Rajput chieftain, Rudra Pratap, who chose this stretch of land along the Betwa river as an ideal site for his capital. Of the succeeding rulers, the most notable was Raja Bir Singh Ju Deo who built the exquisite Jehangir Mahal, a tiered palace crowned by graceful chhatris. From here the view of soaring temple spires and cenotaphs is spectacular.
The origin of the Bundela dynasty in the 11th century is traced to a Rajput prince who offered himself as a sacrifice to the mountain goddess Vrindavasini; she stopped him and named him 'Bundela' (one who offered blood). The dynasty ruled over the area between the Yamuna and Narmada rivers. Garhkurar, once capital of the Bundela Rajas, fell to the Tughluqs just as that dynasty was weakening. Into the vacuum that they left, the Bundelas again expanded, moving their base to Orchha (meaning hidden). Raja Rudra Pratap threw a wall around the existing settlement and began work on the palace building (c. 1525-31) and an arched bridge to it. This was completed by his successor Bharti Chand (1531- 54) who was installed in the Raj Mahal with great ceremony.
Lakshmi Temple, Orchha.
Numerous Cenotops or chhatris dot the vicinity of the fort and the Betwa river. Elsewhere about the town there is an unusual variety of temples and tombs, including the Chaturbhuj temple, which is built on a vast platform of stone. The more unguarded and neglected of these buildings are popular hangouts for tropical bees, wasps, and other such excitable stingy creatures.
In 2006, Orchha's buildings were being documented by the LIK Team of IIT Roorkee, India
In 2008, a community radio station, Radio Bundelkhand was launched in Orchha. The radio station broadcasts programs daily in the Bundeli dialect and devotes significant amount of its broadcast time to local issues, culture and rich tradition of Bundeli folk music. The station is available on 90.4 MHz.
Orchha's fort complex, approached by a multi-arched bridge, has three palaces set in an open quadrangle. The most spectacular of these are:
Jehangir Mahal
Built by Raja Bir Singh Ju Deo in the 17th century to commemorate the visit of Emperor Jehangir to Orchha. Its strong lines are counterbalanced by delicate chhatris and trellis work, the whole conveying an effect of extraordinary richness.
Built by Raja Bir Singh Ju Deo in the 17th century to commemorate the visit of Emperor Jehangir to Orchha. Its strong lines are counterbalanced by delicate chhatris and trellis work, the whole conveying an effect of extraordinary richness.
Raj Mahal
Situated to the right of the quadrangle, this palace was built in the 17th century by Madhukar Shah, the deeply religious predecessor of Bir Singh Ju Deo. The plain exteriors, crowned by chhatris, give way to interiors with exquisite murals, boldly colourful on a variety of religious themes.
Situated to the right of the quadrangle, this palace was built in the 17th century by Madhukar Shah, the deeply religious predecessor of Bir Singh Ju Deo. The plain exteriors, crowned by chhatris, give way to interiors with exquisite murals, boldly colourful on a variety of religious themes.
Rai Parveen Mahal
Poetess and musician, Rai Parveen was the beautiful paramour of Raja Indramani (1672- 76) and was sent to Delhi on the orders of the Emperor Akbar, who was captivated by her. She so impressed the Great Mughal with the purity of her love for Indramani that he sent her back to Orchha. The palace built for her is a low, two-storeyed brick structure designed to match the height of the trees in the surrounding, beautifully landscaped gardens of Anand Mahal, with its octagonal flower beds and elaborate water supply system. Skillfully carved niches allow light into the Mahal which has a main hall and smaller chambers.
Poetess and musician, Rai Parveen was the beautiful paramour of Raja Indramani (1672- 76) and was sent to Delhi on the orders of the Emperor Akbar, who was captivated by her. She so impressed the Great Mughal with the purity of her love for Indramani that he sent her back to Orchha. The palace built for her is a low, two-storeyed brick structure designed to match the height of the trees in the surrounding, beautifully landscaped gardens of Anand Mahal, with its octagonal flower beds and elaborate water supply system. Skillfully carved niches allow light into the Mahal which has a main hall and smaller chambers.
Chaturbhuj Temple
Built upon a massive stone platform and reached by a steep flight of steps, the temple was specially constructed to enshrine the image of Rama that remained in the Ram Raja Temple. Lotus emblems and other symbols of religious significance provide the delicate exterior ornamentation. Within, the sanctum is chastely plain with high, vaulted walls emphasizing its deep sanctity.
Built upon a massive stone platform and reached by a steep flight of steps, the temple was specially constructed to enshrine the image of Rama that remained in the Ram Raja Temple. Lotus emblems and other symbols of religious significance provide the delicate exterior ornamentation. Within, the sanctum is chastely plain with high, vaulted walls emphasizing its deep sanctity.
Laxminarayan Temple
A flagstone path links this temple with the Ram Raja Temple. The style is an interesting synthesis of fort and temple moulds. The interiors contain the most exquisite of Orchha's wall paintings. Covering the walls and ceiling of three halls, these murals are vibrant compositions and cover a variety of spiritual and secular subjects. They are in excellent state of preservation, with the colours retaining their vivid quality.
A flagstone path links this temple with the Ram Raja Temple. The style is an interesting synthesis of fort and temple moulds. The interiors contain the most exquisite of Orchha's wall paintings. Covering the walls and ceiling of three halls, these murals are vibrant compositions and cover a variety of spiritual and secular subjects. They are in excellent state of preservation, with the colours retaining their vivid quality.
Phool Bagh
Laid out as a formal garden, this complex testifies to the refined aesthetic qualities of the Bundelas. A central row of fountains culminates in an eight pillared palace-pavilion. A subterranean structure below was the cool summer retreat of the Orchha kings. An ingenious system of water ventilation connects the underground palace with Chandan Katora, a bowl-like structure from whose fountains droplets of water filtered through to the roof, simulating rainfall.
Laid out as a formal garden, this complex testifies to the refined aesthetic qualities of the Bundelas. A central row of fountains culminates in an eight pillared palace-pavilion. A subterranean structure below was the cool summer retreat of the Orchha kings. An ingenious system of water ventilation connects the underground palace with Chandan Katora, a bowl-like structure from whose fountains droplets of water filtered through to the roof, simulating rainfall.
Sunder Mahal
This small palace, almost in ruins today is still a place of pilgrimage for Muslims. Dhurjban, son of Jhujhar, embraced Islam when he wed a Muslim girl at Delhi. He spent the latter part of his life in prayer and meditation and came to be revered as a saint.
This small palace, almost in ruins today is still a place of pilgrimage for Muslims. Dhurjban, son of Jhujhar, embraced Islam when he wed a Muslim girl at Delhi. He spent the latter part of his life in prayer and meditation and came to be revered as a saint.
Chhatris (Cenotaphs)
There are 14 Chhatris or Memorials to the rulers of Orchha, grouped along the Kanchan Ghat of the river Betwa.
There are 14 Chhatris or Memorials to the rulers of Orchha, grouped along the Kanchan Ghat of the river Betwa.
Shahid Smarak
Commemorates the great freedom fighter Chandrashekhar Azad who lived and worked in hiding in Orchha during 1926 and 1927.
Commemorates the great freedom fighter Chandrashekhar Azad who lived and worked in hiding in Orchha during 1926 and 1927.
Other places worth seeing are the shrines of Siddh Baba Ka Sthan, Jugal Kishore, Janki Mandir and the Hanuman Mandir at Ochharedwara.
Air
Nearest airport is at Gwalior (119 km), which is connected with regular flights from Delhi & Bhopal
Train
Nearest railhead is Jhansi (16 km), on the Delhi-Mumbai and Delhi-Chennai main lines. All major mail and express trains stop at Jhansi.
Bus
Orchha lies on a diversion from the Jhansi-Khajuraho road. Regular bus services connect Orchha with Jhansi. Tempos and taxis are also available.
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